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  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 59...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 62...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 59...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 59...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 61...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 60...JPG
  • Compton Verney Gallery and Museum hosts a fantastic and immersive Spectacle of Light in grounds that were originally created by Capability Brown.
    Compton Verney Spectacle of Light 62...JPG
  • The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Compton Verney61.JPG
  • The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Compton Verney59.JPG
  • The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Compton Verney60.JPG
  • The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Compton Verney62.JPG
  • small painted folk art cottage sewing box with red thatch effect roof and small chimney has been naively hand-painted with windows, a door, trees and even a small rake laid against the wall by the front door, circa 1800, £5,200 from Mark Goodger Antiques at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    cottage sewing box 54.JPG
  • Russell Strachan and Stephen Newcombe with  A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Russell Strachan and Stephen Newcomb...JPG
  • A rare engraved Royalist silver locket depicting King George 1inside 1649-1660  selling for £3950 from Howards jewellers  at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Royalist silver locket 55.JPG
  • A model Cotswold village, made by Mr Sidney Smith, the owner of one of the Witney blanket factories, who had Merryfield House built for him and his family in 1927, designed by Oliver Hill.  He, in turn, made the model village for his children, based on 13 of his favourite houses and farm buildings in the area, including Arlington Row.  Details and photographs are housed in the Witney & District Museum. Smith constructed and painted the models which reflect the true Cotswolds in the 1920s.  David Pickup Antiques has priced the village at £7,500. at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    A model Cotswold village51.JPG
  • Russell Strachan with  A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Russell Strachan45.JPG
  • catherine hunt holiding Chinese Transitional wucai figures made at Jingdezhen during the Reign of the Emperor Shunzhi, the first Qing Emperor c1650. The figures are modelled as the Hehe Erxian twins also known as the Twins of Harmony each holding a small vase  at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    catherine hunt58.JPG
  • Russell Strachan with  A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Russell Strachan44.JPG
  • Russell Strachan and Stephen Newcombe with  A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Russell Strachan and Stephen Newcomb...JPG
  • A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    newly discovered oil painting by En...JPG
  • A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    newly discovered oil painting by En...JPG
  • catherine hunt holiding Chinese Transitional wucai figures made at Jingdezhen during the Reign of the Emperor Shunzhi, the first Qing Emperor c1650. The figures are modelled as the Hehe Erxian twins also known as the Twins of Harmony each holding a small vase  at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    catherine hunt57.JPG
  • A model Cotswold village, made by Mr Sidney Smith, the owner of one of the Witney blanket factories, who had Merryfield House built for him and his family in 1927, designed by Oliver Hill.  He, in turn, made the model village for his children, based on 13 of his favourite houses and farm buildings in the area, including Arlington Row.  Details and photographs are housed in the Witney & District Museum. Smith constructed and painted the models which reflect the true Cotswolds in the 1920s.  David Pickup Antiques has priced the village at £7,500. at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    A model Cotswold village53.JPG
  • Russell Strachan with  A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Russell Strachan47.JPG
  • Russell Strachan and Stephen Newcombe with  A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Russell Strachan and Stephen Newcomb...JPG
  • A rare engraved Royalist silver locket depicting King George 1inside 1649-1660  selling for £3950 from Howards jewellers  at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Royalist silver locket 56.JPG
  • A model Cotswold village, made by Mr Sidney Smith, the owner of one of the Witney blanket factories, who had Merryfield House built for him and his family in 1927, designed by Oliver Hill.  He, in turn, made the model village for his children, based on 13 of his favourite houses and farm buildings in the area, including Arlington Row.  Details and photographs are housed in the Witney & District Museum. Smith constructed and painted the models which reflect the true Cotswolds in the 1920s.  David Pickup Antiques has priced the village at £7,500. at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    A model Cotswold village52.JPG
  • Russell Strachan with  A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    Russell Strachan46.JPG
  • A newly discovered oil painting by renowned English artist Sir Joshua Reynolds P.R.A. (1723-1792) will be unveiled at the fair.  Reynolds was one of the most important European painters of the 18th century, the founder and first president of the Royal Academy, whose work hangs in the National Gallery, the Tate and the Museum of Modern Art in New York. ‘Two young girls with bonnets in a woodland setting’, circa 1780-85, oil on cradled panel, 21 ¼ x 26 ¼ inches (53.98 x 66.68 cms) will be for sale on Strachan Fine Art’s stand, having just come from the conservator at The Cotswold Art & Antiques Dealers’ Association Fair,Compton Verney Art Gallery and Park,Compton Verney
    newly discovered oil painting by En...JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 700.JPG
  • Jess Love the Also Festival Park Farm, Compton Verney, Warwick 29th aug 2020 photo by Mark Anton Smith
    Jess Love413.JPG
  • Jess Love the Also Festival Park Farm, Compton Verney, Warwick 29th aug 2020 photo by Mark Anton Smith
    Jess Love407.JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 717.JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 713.JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 709.JPG
  • Jess Love the Also Festival Park Farm, Compton Verney, Warwick 29th aug 2020 photo by Mark Anton Smith
    Jess Love415.JPG
  • Jess Love the Also Festival Park Farm, Compton Verney, Warwick 29th aug 2020 photo by Mark Anton Smith
    Jess Love417.JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 710.JPG
  • Jess Love the Also Festival Park Farm, Compton Verney, Warwick 29th aug 2020 photo by Mark Anton Smith
    Jess Love410.JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 716.JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 712.JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 711.JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 702.JPG
  • Marcel Lucont at the Also Festival 2021 at Compton Verney .photo by Mark anton Smith
    Marcel Lucont 697.JPG
  • Jess Love the Also Festival Park Farm, Compton Verney, Warwick 29th aug 2020 photo by Mark Anton Smith
    Jess Love419.JPG
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