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  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Herbert Art Gallery & Museum is a museum, art gallery, records archive, learning centre, media studio and creative arts facility on Jordan Well, Coventry, England.
    Herbert Art Gallery278.JPG
  • Herbert Art Gallery & Museum is a museum, art gallery, records archive, learning centre, media studio and creative arts facility on Jordan Well, Coventry, England.
    Herbert Art Gallery277.JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Compton Verney announces Mark Hearld Acquisitions<br />
Compton Verney Art Gallery and Park in Warwickshire has acquired seven works by artist Mark Hearld<br />
for its renowned British Folk Art Collection, the largest in the UK.<br />
<br />
As part of a £100,000 project to reimagine its Folk Art<br />
galleries in 2018, Compton Verney’s curatorial team<br />
worked with Mark Hearld on the re-hanging of its<br />
extensive collection in which he displayed several new<br />
works, not only inspired by objects within the collection<br />
but also by the animals and rural communities<br />
surrounding the Grade 1-listed Georgian mansion and<br />
Lancelot ‘Capability’ Brown-landscaped parkland.<br />
One of the objects Hearld created was a mixed media<br />
work, The Compton Verney Collage (left), which features a<br />
patchwork, made in the mid-1800s for the 98 th<br />
Regiment. Mark says: “I felt it would be exciting to make<br />
a large-scale work as a visual foil for the military quilt at<br />
the far end of the gallery, something that had graphic<br />
impact and scale – in effect a paper collage quilt. I<br />
decided that a large-scale work made up of a series of<br />
individual pieces would be an interesting way to<br />
respond. I’ve attempted to create my own folk art<br />
world, with motifs that echo objects and images in the<br />
Collection and draw upon a cast of characters from my<br />
own menagerie of birds and beasts.”<br />
<br />
He also produced six cut-out metal silhouettes of animals and birds, all of which directly refer to specific<br />
objects and paintings in the collection, and which will now be permanently housed in Compton Verney.<br />
These are Cockerel, Hare and Partridges, Swan, Pigeon Flight, Owl and Ratter, which depicts a terrier<br />
pursuing a rat. All were made in 2018, from either brass or steel sheet, for Mark by Dave Trigwell in<br />
Cornwall.<br />
Again, these works were created as a direct response to the British Folk Art Collection, as Mark describes:<br />
“The graphic quality of the cut metal silhouettes and weathervanes in the collection relates directly to the<br />
shapes I cut out wit
    Mark Hearld British Folk Art Collec...JPG
  • Herbert Art Gallery & Museum is a museum, art gallery, records archive, learning centre, media studio and creative arts facility on Jordan Well, Coventry, England.
    Herbert Art Gallery & Museum 295.JPG
  • Herbert Art Gallery & Museum is a museum, art gallery, records archive, learning centre, media studio and creative arts facility on Jordan Well, Coventry, England.
    Herbert Art Gallery & Museum 295 - C...JPG
  • Stay strong street art  at the Garrick Arms photo by brian jordan
    stay safe Street Art 1892.JPG
  • Stay strong street art  at the Garrick Arms photo by brian jordan
    stay safe Street Art 1891.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1889.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1878.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1879.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick25.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick19.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick17.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick16.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick3.JPG
  • Stay strong street art  at the Garrick Arms photo by brian jordan
    stay safe Street Art 1893.JPG
  • Stay strong street art  at the Garrick Arms photo by brian jordan
    stay safe Street Art 1890.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1888.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1887.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1885.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1886.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1884.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1883.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1882.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1881.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1880.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1877.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1876.JPG
  • Black Lives Matter Street Art Graffiti Leake Street Tunnel london photo by brian jordan
    Black Lives Matter Street Art 1875.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick33.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick32.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick31.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick30.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick28.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick29.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick27.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick26.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick24.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick23.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick21.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick22.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick20.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick18.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick14.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick15.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick13.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick10.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick12.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick11.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick9.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick6.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick8.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick5.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick7.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick2.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick4.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick0.JPG
  • The Art of the Brick: DC Superheroes exhibition <br />
Just behind the National Theatre on the South Bank  "Created by legendary LEGO® artist Nathan Sawaya, the  exhibition uses nearly 2,000,000 bricks to create large-scale sculptures of DC  Super Heroes Photos By Michael Butterworth
    The Art of the Brick1.JPG
  • 'San Andreas' World Premiere at the Odeon Leicester Square in London, England. 21st May 2015.
    Art Parkinson30.JPG
  • cmat at the  Wilderness Festival Cornbury Park Oxfordshire,photo by Mark Anton Smith<br />
<br />
festival, wilderness festival, summertime, people, music, art, arts, literature, boutique, wild swimming, glamping, cornbury park, cotswolds, events, great british summer, unique, fashion
    cmat234.JPG
  • cmat at the  Wilderness Festival Cornbury Park Oxfordshire,photo by Mark Anton Smith<br />
<br />
festival, wilderness festival, summertime, people, music, art, arts, literature, boutique, wild swimming, glamping, cornbury park, cotswolds, events, great british summer, unique, fashion
    cmat233.JPG
  • cmat at the  Wilderness Festival Cornbury Park Oxfordshire,photo by Mark Anton Smith<br />
<br />
festival, wilderness festival, summertime, people, music, art, arts, literature, boutique, wild swimming, glamping, cornbury park, cotswolds, events, great british summer, unique, fashion
    cmat232.JPG
  • cmat at the  Wilderness Festival Cornbury Park Oxfordshire,photo by Mark Anton Smith<br />
<br />
festival, wilderness festival, summertime, people, music, art, arts, literature, boutique, wild swimming, glamping, cornbury park, cotswolds, events, great british summer, unique, fashion
    cmat231.JPG
  • cmat at the  Wilderness Festival Cornbury Park Oxfordshire,photo by Mark Anton Smith<br />
<br />
festival, wilderness festival, summertime, people, music, art, arts, literature, boutique, wild swimming, glamping, cornbury park, cotswolds, events, great british summer, unique, fashion
    cmat229.JPG
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